THE CHILD BALLADS
The eerie, visceral, unsettling imagery of ancient Scottish and English ballads
APPARITIONS
One disenchanted and one enchanted eye, haunting the expansive territories of the American West
PINE CONE CLOAK
A garment made from Jeffrey Pine cone scales at the Sagehen Creek Field Station
TRANSFIXED
Attempting to address climate change through metaphor and memento mori
TRANSFIXED: STUDIES
Experiments in freezing
PLOT (KLUANE)
Windows into the complexity of land at eye level
SAGEHEN COMIX
One-page comic versions of scientific research papers
NESTS
Paintings of sculptures made from human hair
SHIPS OF THE DESERT, BY NAME
On the individuality of camels
FIELD JOURNALS
Australia, the Arctic, and the American West
TRANSPLANTS
Costumes made from Wyoming plants
THE ONLY THING EVERYONE KNOWS ABOUT US (IS WRONG)
AMONG THE FINAL THUNDERS OF THESE ICES
Time in the Far North
UNSTABLE GROUND
Thermal features and extremophiles of the Greater Yellowstone Ecosystem
UNSTABLE GROUND II
Geysers, pools, mudpots, and fumaroles from Wyoming and New Zealand
ANCIENT SUMMER
The Oregon Outback
THAT SOUND UNDER THE FLOOR IS THE SEA
A series of etchings, based in imagery collected in Svalbard, printed in collaboration with Frol Boundin.
INVASIVE (FAILURE TO DISAPPEAR)
Portrait of the artist as an invasive species
PESTS OF NATIONAL SIGNIFICANCE
Portraits of other introduced species
HOMING
Installation of hairwork in the form of small nests
THESE ONCE WERE A FACE
Portraits of melting ice from Svalbard beaches
THE RANGERSOME MUSEUMGOER’S GUIDE TO POLAR TAXIDERMY
“…and then of course, there’s the ubiquitous herd of taxidermized animals,” I wrote in my field journal
SHIP TO SHORE
Land, sea, glaciers, and artists at work in the Arctic Circle residency
WISH YOU WERE HERE
Tourism and Sun Valley, Idaho
LIGHTS ALL ASKEW IN THE HEAVENS
Surreality and grad school make fine bedfellows
DETRITUS
Experiments in form and color, using discarded objects