THE CHILD BALLADS

The eerie, visceral, and unsettling imagery of ancient Scottish and English ballads

APPARITIONS

One disenchanted and one enchanted eye, haunting the expansive territories of the American West

A garment made from Jeffrey Pine cone scales at the Sagehen Creek Field Station

Attempting to address climate change through metaphor and memento mori

Experiments in freezing

Windows into the complexity of land at eye level

Paintings of sculptures made from human hair

On the individuality of camels

Australia, the Arctic, and the American West

Costumes made from Wyoming plants

Time in the Far North

Created while in residence at the Teton Artlab in Jackson, Wyoming, this series of small paintings investigates the range of t

[Best_Wordpress_Gallery id=”38″ gal_title=”UNSTABLE GROUND II”]

Completed while in residence at the Playa Foundation in southeastern Oregon, this series of miniatures documents the weirdness

A series of etchings, based in imagery collected in Svalbard, printed in collaboration with Frol Boundin.

When I was just old enough to help in the garden, my mom explained to me that the difference between flowers and weeds is this

I’m perpetually intrigued by ideas of what makes something desirable, from community to community, and from person to person

In Homing, an installation at the historic Albuquerque Railyards, I utilized techniques of Victorian hairwork, a tradition bot

These pieces of ice—glacial fragments washed up on the shores of Svalbard—seemed frozen in time as well as space, but were

“…and then of course, there’s the ubiquitous herd of taxidermized animals,” I wrote in my field journal about a visit

In the fall of 2012, I was part of a group of visual and performance artists, scientists, writers, and composers who traveled

In October of 2013, I was invited to Idaho by the Sun Valley Center for the Arts to create a project about tourism and the Ame

Truth is stranger than fiction—especially when taken out of context. Presented baldly without explanation or exposition, the

When I first moved to New Mexico in 2007, I began weaving structures that were composed of found objects that I picked up on m